Andru Bemis is hitting the road again with the John Reilly and Friends Winter Tour! Andru will open for each show, and then will join the band during the feature set.
Of the many hats worn by veteran entertainer John C. Reilly—actor, producer, comedian, screenwriter—American roots music brings him to the East Coast this Winter. In collaboration with an extraordinary group of friends including Becky Stark (songbird of Lavender Diamond), Tom Brosseau (an exceptional singer/songwriter), and other special guests, Reilly plays musical host in a set filled with eternal folk songs, classic country tunes, and bluegrass standards. In a special night of community through music and tradition, they join forces to conjure magic from the roots of the tree of song fresh from an acclaimed performance at the Newport Folk Festival.
John Reilly and Friends’ Winter Tour 2015
- 27 Jan – WASHINGTON, DC – Sixth and I Historic Synagogue
- 28 Jan – SELLERSVILLE, PA – Sellersville Theater 1894
- 29 Jan – PHILADELPHIA, PA – World Cafe Live
- 30 Jan – NEW YORK, NY – Lincoln Center
- 31 Jan – NORFOLK, CT – Infinity Hall
- 02 Feb – PITTSBURGH, PA – Club Cafe
- 03 Feb – ANNAPOLIS, MD – Rams Head On Stage
- 04 Feb – WILMINGTON, DE – Grand Opera House
- 06 Feb – SOMERVILLE, MA – Center for the Arts @ the Armory
- 07 Feb – PROVIDENCE, RI – Columbus Theatre
… When things finally got rockin’ and rollin’—er, so to speak, [John C. Reilly] came out and introduced their warm up act (the first time I’ve ever been present for a warm up and NOT wanted to kill myself) Andru Bemis, who played some sweet-ass banjo and sang old folk songs, real old ones, like the first ones ever. He warmed up the crowd sufficiently, inducing a sing along and called himself the canary of the show, coming out to see what kind of crowd they had on their hands …” — The Reel Scoop
“… [Andru] Bemis, the opening act for the night’s show, provide [sic] an introduction for those who were unaccustomed with the country twang of bluegrass music. The audience waited with hopeful anticipation for the strumming to begin from the slim character peeking at everyone through his wide rimmed spectacles. In his dark fedora sporting a feather-like feature on the side of it, he sat on a wooden chair in his common suit of suave chocolate brown hued pants and matching vest and jacket with a button up white shirt underneath.
Humidity so heavy a light sweat began to commence on the brown of all who watched as his fingers swiftly strummed the chords that ever so slightly began to rapidly take on a new tempo. As he expertly transitioned from the acoustic guitar to the banjo a song about trains began to bring about a new energy from the crowd. Just as a train begins to chug along picking up speed as it churns upon the tracks, the banjo represented those tracks, as his fingers became a blur to rapid beat. A soft, then distinct foot stomp to the beat took over and rose to the rafters as hoots and hollers gave way to their appraisal.
After revving up the drunkenly happy crowd, the main attraction for what they had traveled miles to see finally was upon them. When Bemis asked the crowd if they had ever seen John C. Reilly & Friends perform, it was if crickets were the only response as no one raised a hand …” — Hoopla